Run Wild, Run Free

February 28, 2009 by jameskleinert

Kleinert’s film, Saving the American Wild Horse recently mentioned in a RL Magazine article about the future of wild horses.

Run Wild, Run Free by Kristan Schiller

runwildrunfree

The race to save the American wild horse is on-and the clock is ticking.

Once upon a time, the wild mustang roamed the plains of what is today Texas in such great numbers that maps of the state from the 1700s mark certain areas with the simple line: “Vast Herds of Wild Horses.”

“The wild horse is . . . our loyal partner, the one in whose hoof sparks this country was born,” states Deanne Stillman, author of Mustang: The Saga of the Wild Horse in the American West, which details how the role of this indigenous species has grown with the nation, from horses as allies of the early Native Americans to horses used to transport soldiers during the Civil War. Stillman adds, “We may be fighting wars around the world, but in the West, we are at war with ourselves. As the wild horse goes, so goes a piece of America.”

Such is the tragic tale of the American wild horse, whose continued existence is in danger as the United States Bureau of Land Management (BLM) contemplates a plan of mass slaughter of this blazing icon of freedom. Claiming that the horses compete with cattle for grazing space on Western public lands and must be removed—and bowing to the ranching lobby, which has strong ties to Washington—the BLM has rounded up more than 33,000 wild horses in recent years from federally owned land. In what the BLM calls a “gather,” buzzing helicopters run fatigued and panicked horses into corrals. The horses are then taken to holding pens, where they are sold or put up for adoption, and often end up abused, neglected, or in a slaughterhouse, to be sold as food abroad.

This is an ignoble end, opponents say, for a majestic animal that originated in North America more than 55 million years ago, eventually spreading to Asia and Europe via the Bering Land Bridge. In the 16th century, the horse was reintroduced to the continent by the Spanish conquistadors.

“The wild horse is a stunning creature,” says James Kleinert, a Colorado-based documentarian who is part Seneca. “I have ridden to Wounded Knee in the middle of winter,” he says, “and I have experienced the resilience of the wild horse on these rides. It is absolutely amazing.” The animals inspired Kleinert’s 2007 film Saving the American Wild Horse, which features powerful pleas for the mustang’s survival by the likes of singer Sheryl Crow, who lives in Tennessee and owns a mustang, and actor Viggo Mortensen, who was introduced to the plight of the wild horse while filming Hidalgo.

More than two million mustang roamed the West at the end of the 19th century, but now only 25,000 to 30,000 remain. Recognizing their dwindling numbers, Congress passed the Wild Free-Roaming Horses and Burros Act of 1971, which protected them from inhumane roundups on public lands in Western states and prevented their sale for slaughter (however, the act still stated that “excess horses” could be removed). But in 2004, Conrad Burns, then a Republican senator from Montana, spearheaded an amendment that removed all protection for wild horses over the age of 10, and mandated that “unadoptable horses” be sold without limitation, including for slaughter. Between 1971 and 2006, up to 200,000 wild horses and burros were removed by Department of the Interior agencies such as the BLM using the “excess” loophole, and the horses lost 19 million of the acres allocated to them under the 1971 act.

The BLM and pro-slaughter ranchers see the wild horses as a nuisance and an obstacle to cattle grazing. They say that there is an “overpopulation” of wild horses and blame them for overgrazing the land. But these claims are misleading, say horse supporters, citing the fact that domestic cattle outnumber wild horses by a 1:150 ratio. While there are fewer than 30,000 wild horses remaining in 10 states, up to 4.5 million cattle occupy the same lands. What’s more, a study by the General Accounting Office showed that the overgrazing problem was actually caused by poorly managed domestic cattle herds.

Chief among the opponents of the BLM’s policy is Madeleine Pickens, wife of Texas oil tycoon T. Boone Pickens. “These are young mares with their foals in tow going into the slaughterhouses,” she told RL in an interview from her West Coast home. “They are not all old and unwanted horses.”

Pickens agrees that part of the problem is misinformation. When she first saw videotapes of the roundups, she says, “I was beside myself. I didn’t know this was going on in our country,” she says. “The wild horse is a national treasure!”

Since then, Pickens has stepped in and proposed a plan that might just save the horses. At the very least, her idea has convinced the BLM to grant the penned-up horses—whose fate will be decided this year—a stay of execution. In November, Pickens brought the idea to Capitol Hill, where it was met with a positive response by politicians. She is trying to create a million-acre sanctuary where all the captive mustangs can be released. (Pickens is presently negotiating with owners to buy land in three different Western locales.) “This is a John Wayne ending where the horses can return to the range and everyone will be happy,” says Pickens. “We are just waiting on Washington.”

Tom Gorey, a spokesman for the BLM, confirmed that the bureau met with Pickens in the first half of January, and added, “I can’t go into any detail, but I can say that we welcome her offer and we are very positive about it.”

While Pickens is generally optimistic about the prospect of cooperation with the new presidential administration, Kleinert is less upbeat about Barack Obama’s selection of Colorado senator Ken Salazar as Secretary of the Interior. Salazar is a rancher who has supported the BLM’s policy regarding wild horses.

Kleinert is in the process of finishing a feature-length film about the wild horse called Disappointment Valley: A Modern Day Western, which he intends to show at international film festivals later this year. While the first film was a “call to action,” he says, this one delves deeper into the issues and offers up possible solutions.

“We’ve got to pass new legislation as soon as possible to restore the protection these horses had under the 1971 act, and the BLM needs to implement management-in-the-wild policies,” says Kleinert. Of Pickens’s plan, he says, “I think this is a noble step on behalf of Mrs. Pickens. On the other hand, we cannot let the BLM off the hook.” Virginie Parant, an attorney and Director of the American Wild Horse Preservation Campaign, concurs: “We are grateful to Madeleine Pickens and her efforts. Her plan is a positive development, but it cannot be used by the BLM to privatize wild horses. Those horses belong on our public lands.”

Kristan Schiller is a New York–based writer whose articles have appeared in Condé Nast Traveler, Travel + Leisure, Fodor’s, Forbestraveler.com, and Salon.com.

Kleinert Article in Artistinterviews.com

February 3, 2009 by jameskleinert

Artistinterviews.com recently published an article about Kleinert’s film, Spirit Riders.

Visit www.spiritridersmovie.com for more on the film.

SPIRIT RIDERS: A BREATHTAKING DOCUMENTARY

By Marisa Darnel

James Kleinert produced Spirit Riders: Riding to Mend the Sacred Hoop. It is a breathtaking and beautiful documentary about the Lakota Community which features Viggo Mortensen collaborating with the Lakotas to spread their culture.

We saw “Spirit Riders” at the 3rd. Artivist International Film Festival, the first Film Festival which addresses Human Rights, Children’s Advocacy, Environmental Preservation, and Animal Rights while raising public  wareness for social global causes. In the past two years, the Annual Artivist Film Festival has screened 159 international activist Films from 34 countries. The “Artivist Awards” honors the work of outstanding activist celebrities.

The Spirit Riders are a group of Lakotas who get together to ride their horses during many days in a unique peace movement. Many people, outside their community join them. OneThey can be considered brothers and sisters in spirit who share the same feelings in favor of freedom, tolerance and deep respect to every one’s culture. They all crossed many miles of wild territory twice a year. One of the rides is the Summer Peace and Unity Rites which is toward Canada and another is the Winter Ride to Wounded Knee, in which they travel Southwest across the state of South Dakota. They rode in the snow and slept under the sky. This ritual started this in 1990 with the intention of preserving the Lakota Culture to their youngsters. The Native people Culture has a philosophy of living in harmony with nature that it is not completely understood by somebody who has not experienced that.

The wonderful landscapes and the horses help their purpose of spreading their beliefs and feelings which come from their ancestors. Their ancestors were the people the “Conquistador” (conquerors) found when they arrived at these lands. The documentary is narrated by Peter Coyote and Floyd Red Crow Westermen and has an appealing soundtrack featuring American Indian Grammy winner Bill Miller, Robert Mirabal, Keith Secola, Rick Allen, Lauren Monroe. Spirit Riders is a very moving film and it is a pleasure to watch.

Viggo Mortensen is a participant in the rides and he explains his emotions during this amazing trip and he explains what he learned about the peaceful community of the Lakotas. Many respected members of the Lakota community, including descendants of Sitting Bull and Black Elk are featured
in the film, both as participants in the rides and as social and cultural commentators. Charlotte Black Elk, Alex Whiteplume, Birgil Killstraight, Ron His Horse Is Thunder, Russell Means and Mel Lonehill all make appearances in the film.

Kleinert and Spirit Riders: Riding to Mend the Sacred Hoop have already won the following awards: Best Western American Documentary Film at the Durango Film Festival, Best Documentary Feature Film, Judges’ Award (Zion Independent Film Festival), Best Film of the Year at the Windsong Film
Festival, Award of Distinction at the 2005 at the Indian Summer Film and Video Image Awards. It was also nominated for Best Documentary Feature Film at the Santa Fe Film Festival for Best Documentary Feature Film at the Native Voice Film Festival and for Best Film of Consciousness at the Wine Country Film Festival. It was Official Entry Screened at the following additional festivals: American Indian Film Festival, The Amsterdam International Documentary Film Festival, The Aboriginal Film Festival, The Palm Springs American Indian Film Festival and the Newport Beach Film Festival.

Kleinert shot his first documentary film “Living It” while he was a member of the US Freestyle Ski Team; “Living It” was awarded best New Film at the 1994 International Ski Film Festival in Crested Butte Colorado. Kleinert spent eight years of his life on the world cup freestyle ski tour, living,
competing and coaching in Europe. This experience gave Kleinert great insight from living out side of the United States and looking back in. Studying film and theatre at the University of Utah and combining it with his athletic skills Kleinert landed jobs as an actor and stuntmen in national television shows, feature films and was a member of Screen Actors Guild. A devastating stunt accident in 1996 ended his stunt career and place Kleinert behind the camera again. Kleinert began documenting environmental activism, American Indian Elders and the Spirit Riders from 1996 to present day. After nine years of filming and over 400 hours of DV footage Kleinert releases his
feature documentary film trilogy “Spirit Riders”. Kleinert has also produced “Athlete Profiles” featuring top Olympic athletes, The Mike Larson Story, Wyoming Wranglers, Avalanch Ski Patrol, and is working on several other feature documentaries.

The rides you feature in your film were started in 1990 in commemoration to one special ride in the past which is part of the American History concerning the relationship between the Native and the Conquistador.

The Rides to Wounded Knee actually began in 1986 When Alex White Plume, Birgil Killstraight and a hand full of other Lakota people were instructed through dreams and visions to ride the original route Chief Big Foot and his band took on their fateful journey to Wounded Knee in 1890. One of the intentions of the ride was known as the Wiping of the Tears ride. A ceremony in which Lakota people would honor their ancestors murdered at wounded knee but also to let go off the anger and grief that had persisted for a 100 years following the tragedy.

What inspired you to make the Documentary and how did Viggo Mortensen get involved in the rides?

I participated in the rides to Wounded Knee beginning in 1998 and continued until my last ride in 2003. I had made many close friends and bonds with the riders plus doing something that promotes peace and cultural understanding seemed like a good place to be over the Christmas holidays. So for a number of years I always would go out on the ride. In 2003 on the Ride To Wounded knee a vicious western blizzard blew in. Along with the Blizzard came Viggo Mortensen riding with the Lakota Peace and unity riders. In my mind having filmed and been on the ride for a number of years, it was very powerful having that blizzard along with Viggo and the many riders. It just took you back to part of the experience that Chief Big Foot and his band experienced in 1890. Viggo’s riding skills and determination to ride in such difficult weather conditions plus his effort to pay respect to the Lakota were impressive. As a film maker I stay back and observed Viggo interacting with the Lakota people especially the youth that were all excited about riding with the star of The Lord of the Rings. After the ceremony ended on December 29th and everyone was leaving I introduced myself to Mr. Mortensen and gave him a rough cut of Spirit Riders. Lisa King from the Native Voice News Paper in Rapid City South Dakota was doing an article on Viggo and Lisa assisted me in follow up with further communications with Viggo and he generously accepted our request to be involved with Spirit Riders the documentary film. Mr. Mortensen generously gave me two long interviews for the project and also has donated time to another film were doing Wild Horse Spirit on the last remaining wild horse heard in America (please visit www.spiritridersmovie.com to learn more).

American Cowboy Magazine

January 22, 2009 by jameskleinert

westerner

Kleinert will be featured in the American Cowboy Magazine, also Americancowboy.com as a top “15 Westerners To Watch in 2009.”

They claim “it’s a time for looking for answers and leadership… and the West is a fine place for finding both.” Kleinert is included in the list with an encouraging message from the organization:

Dear James,

Congratulations on being included in our top 15 Westerners to watch in 2009. We applaud your film projects on the American Wild Horse. Thanks for keeping the horse an iconic symbol of the West. Our readers really appreciate your efforts.

Keep it rolling.

BG

The Article:


kleinert_westerner

James Kleinert , Filmmaker

The importance of the horse in the American West goes without saying. But that doesn’t keep filmmaker James Kleinert from saying it in his films. Raised among horses, he has always had an affinity for the animal, but they disappeared from his life for a time as he followed a career that saw him competing on the U.S. Ski Team and later as a professional skier. But he’s invited the equine species back into his life with a vengeance.

Recent film projects include Spirit Riders, which chronicles Lakota unity rides to Wounded Knee, Little Bighorn, and other destinations. Saving the American Wild Horse looks at the history and future of wild horses in America from the viewpoints of numerous experts, which Kleinert hopes will give people “a stronger sense of pride in our history and our horses.”

Soon to come from Kleinert is Disappointment Valley, another film about wild horses, which grew from documenting a Mustang roundup in a controversial BLM management area in Colorado. The filmmaker calls it “an intimate experience with herd management and wild horses.”—R.M.